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66 Joanna Warmuzińska-Rogóż pisarstwem w rodzaju żeńskim - écriture au féminin, które stara się stwo-rzyć na nowo kobietę i literaturę [Théoret, 2009: 17 i nast.]. Podziały te są szczególnie ważne dla środowiska feministycznego w Quebecu. Literatu-ra w rodzaju żeńskim narodziła się jako reakcja na literaturę poszukującą


(PDF) Literatura quebecka w Polsce studium (o) przypadku.

Uniwersytet Śląski w Katowicach [email protected] Tłumaczki i ich przekłady - różnorodność ról w kontekście kanadyjskim Przykład Lori Saint-Martin Jesteśmy wszyscy w obliczu.


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When an Author Becomes a Translator and a Translator Becomes anAuthor. Nicole Brossard's Le desert mauve Translated by Susanne deLotbiniere-Harwood The article aims to describe the space of translation understood as a spacefor dialogue and mutual influence on the example of a novel by Nicole Brossard, Quebec writer and feminist translator, entitled Le desert mauve (1987), and its English.


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Joanna Warmuzińska-Rogóż is an Associate Professor at the Institute of Literary Studies, University of Silesia in Katowice, Poland. She has published a book on Jean Giono and another on Polish.


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by Translations of Slavic Literatures and Joanna Warmuzińska-Rogóż Among many translation activities characteristic for Canada, a "feminine translation", meaning an act of re-creation, is particularly worth mentioning.


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From Translation to the Writing: On the Quebec Feminists, Anglo-Canadian Women Translators and the Translation Continuum The article presents the unique relationship between French- and English-speaking translators in Canada, which has resulted in a great number of interesting translation phenomena. The author makes reference to the distinction between feminist translation and translation in.


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Joanna Rogóż Joanna Rogóż Rzeszów University · Institute of Archaeology PhD Connect with experts in your field Join ResearchGate to contact this researcher and connect with your scientific.


(PDF) Les enjeux de la reecriture Joanna WarmuzińskaRogóż Academia.edu

Joanna Warmuzińska-Rogóż; Affiliations Joanna Warmuzińska-Rogóż University of Silesia in Katowice.


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Adamowicz-Pośpiech, Agnieszka, Renata Dampc-Jarosz, and Joanna Warmuzińska-Rogóż. Identity Issues in European Literatures . 1st ed. V&R unipress, 2022. Web. 26 May 2023.


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Joanna Warmuzińska-Rogó Ï. 146 closer to him or her. However, what should be alien and exotic in the original, happens to be re-introduced via translation into the culture in which it origi-nated. Sometimes, the translational challenge becomes even greater if the source culture's elements from the original text, especially the linguistic ele-


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Dr hab. Joanna Warmuzińska-Rogóż - vice-director of the Institute of Roman Languages and Translation studies, translation and literaturę specialist - was honoured with Pierre Savard Award in the category of the best Canadian Studies book written in foreign language. Pierre Savard Award is an annual prize of the International Council for.


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dr hab. Joanna Warmuzińska-Rogóż, prof. UŚ - ur. 1977; literaturoznawczyni, przekładoznawczyni; ukończyła filologię romańską w Uniwersytecie Śląskim (2001), politologię w École inernationale d'Études politiques UŚ (2002) oraz studia podyplomowe dla tłumaczy konferencyjnych (Katedra UNESCO do Badań nad Przekładem i Komunikacją Międzykulturową UJ,.


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Joanna Warmuzińska-Rogóż University of Silesia in Katowice, Literary Studies, Post-Doc Follow Other Affiliations: University of Silesia in Katowice, Institute of Romance Languages and Translation Studies, Post-Doc Research Interests:


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Joanna Warmuzińska-Rogóż is an Associate Professor at the Institute of Literary Studies, University of Silesia in Katowice, Poland. She has published a book on Jean Giono and another on Polish translations of Quebec literature (The Pierre Savard Award, 2017). She has also co-edited two books on Quebec and Canadian literature,.


(PDF) Identity Issues in European Literatures

Aleksandra Chrupała, Joanna Warmuzińska-Rogóż; Published 2011; Linguistics « The Sisters-in-Law »by Michel Tremblay is characterized by a deep-rootedness in the source culture, primarily by means of the language (the use of joual for the first time in the Quebec theatre), but also by the theme (the ruthless image of the Quebec society.

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